It’s the 265th birthday today of William Blake, English poet, painter and printmaker.
Largely unrecognized during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language."
His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced."
In 2002, Blake was placed at #38 in the BBC's poll of the 100 Greatest Britons.
Although he lived in London his entire life (except for three years spent in Felpham), he produced a diverse and symbolically rich body of work, which embraced the imagination as "the body of God" or "human existence itself.”
Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterized as part of the Romantic movement.
Reverent of the Bible, but hostile to the Church of England (indeed, to all forms of organized religion), Blake was influenced by the ideals and ambitions of the French and American Revolutions.
Though later he rejected many of these beliefs he maintained an amiable relationship with Thomas Paine, he was also influenced by thinkers such as Emanuel Swedenborg.
Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Rossetti characterized him as a "glorious luminary," and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors.”
Blake had an enormous influence on the beat poets of the 1950s and the counterculture of the 1960s, frequently being cited by such seminal figures as beat poet Allen Ginsberg, songwriters Bob Dylan, Jim Morrison, Van Morrison and the English writer, Aldous Huxley.
Below is Blake’s 1786 painting Oberon, Titania and Puck with Fairies Dancing. It’s from William Shakespeare's A Midsummer Night's Dream