Marty Stuart performs at the tribute for Sun Records at Lincoln Center, New York City, 2011
Photo by Frank Beacham
Marty Stuart is 63 years old today.
A country music singer-songwriter, Stuart is known for both his traditional style, and eclectic merging of rockabilly, honky tonk and traditional country music.
Stuart is also a photographer, who has captured many iconic images surrounding country music and its stars. When I asked him the secret to his notable photographs, he responded, “I have access.”
Born as John Martin Stuart in Philadelphia, Mississippi on September 30, 1958, Stuart has become known as one of country music's most eclectic artists, performing and recording diverse types of country music. He is of French, English, Choctaw and Colombian descent.
From an early age, he was obsessed with country music. He was so obsessed, in fact, that he taught himself how to play the guitar and mandolin. At the age of 12, Stuart started performing with the bluegrass group, The Sullivans.
He later met Lester Flatt’s band member, Roland White. White invited Stuart to play with him and the Nashville Grass at the Labor Day gig in Delaware, 1972.
After this, White asked him to join the band permanently and Stuart accepted. This made White responsible for the rest of Stuart's education. Marty stayed with Lester Flatt until Flatt broke up the band in 1978 due to his failing health.
In 1979, Flatt died. Stuart pushed forward and worked with fiddler, Vassar Clements, and guitarist, Doc Watson.
In 1980, he joined Johnny Cash's backing band. The previous year, Stuart made his first solo album, With a Little Help From My Friends, on Ridge Runner Records
In 1983, Stuart married Johnny Cash's daughter, Cindy. They divorced five years later in 1988.
In 1985, Stuart accompanied Johnny Cash to Memphis and played on the "Class of '55" album that also featured Carl Perkins, Roy Orbison and Jerry Lee Lewis. At the end of the session, Perkins presented him with his guitar.
Later that year, Stuart left Cash's band and landed a solo recording contract with Columbia Records. The following year, he released a self-titled album on the label, which produced a Top 20 hit on the Billboard country charts, "Arlene."
In 1991, Stuart co-wrote a song with Travis Tritt called, "The Whiskey Ain't Workin'." The song was recorded as a duet on Tritt's 1991 album, It's All About to Change, and that became Stuart’s biggest hit.
In 1992, his former record company, Columbia finally released his album, Let There Be Country. That same year, Stuart released the album, This One's Gonna Hurt You, on MCA.
The album's title track, a duet with Travis Tritt, was released as a single, and became another Top Ten hit for Stuart. This One's Gonna Hurt You became Marty's first gold album.
His collection of music memorabilia and photography was exhibited at the Tennessee State Museum in 2007 as "Sparkle & Twang: Marty Stuart's American Musical Odyssey." In October, 2008, the "Sparkle & Twang" exhibit opened at the Rock and Roll Hall of Fame and Museum in Cleveland, OH.
Here, Stuart performs “Doing My Time” with Johnny Cash
Johnny Cash, Last Portrait, September 8, 2003
Photo by Marty Stuart
“I was over at (Johnny’s) house and I had just been to Folsom, California. I had been given a gate pass to go to the prison to see where he made his Folsom Prison album, and at that point I was just looking for anything to talk to him about — we recorded, we talked, just anything to keep him entertained, because June had recently passed away. So I went next door to have a cup of coffee and just share with him my impressions of Folsom Prison.
I started a song and I took it next door to John, and we actually wrote this song called ‘Hangman’ that we did on a record called Ghost Train, and it was the last song that he ever wrote. We just finished this song together. And he was sitting there in his chair looking so pretty in the light, the late-afternoon light was coming in from behind and I said, ‘JR, let me take your picture.’ I knew he didn't want to, but he let me. There were three frames. In the first two, he just kind of looked tired and weary, but on the third frame I said, ‘JR!’ and he sat up straight and pulled on that black collar, and he became Johnny Cash. Four days later, he was gone.”
— Marty Stuart
Willie Nelson and Waylon Jennings, 1985
Photo by Marty Stuart